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The sound of tradition: Diane’s voice brings Rwanda folk songs to life at weddings and celebrations

Around the 11th to 15th century, in Rwanda, music is the pulse that beats through the veins of every celebration, and traditional songs hold a sacred place in the heart of the country’s cultural life.

Whether it’s a wedding, a baptism, ora community gathering, Rwandan folk music weaves the faric of the events, connecting people to their history, their ancestors, and one another. from the rhythmic hum of the intore dances to the powerful harmonies of umushagiriro, the music serves as both a source of joy and a deep reminder of the country’s cultural heritage.

Recently, I had the privilege of sitting down with Diane Shillo, a prominent Rwandan traditional singer whose voice has become synonymous with the country’s vibrant musical traditions. Diane is known for her performances at weddings and other significant cultural events, where her music captures the essence of Rwanda’s rich history and storytelling traditions.

Diane Shillo entertaining guests at a wedding

Diane Shillo, a prominent Rwandan traditional singer, embodies this tradition. Her voice has become synonymous with the country’s vibrant musical heritage. I recently had the privilege of speaking with Diane, known for her performances at weddings and other cultural events, where her music captures the essence of Rwanda’s history and storytelling.

Music is at the heart of Rwandan weddings

Rwandan weddings are communal events, often bringing together entire villages. Traditional music is crucial in setting the tone, often blending with dances and chants that reflect the history of Rwandan society. Through song, the day’s joy is shared, and values like love, unity, and community are reinforced.

Diane’s voice is a consistent presence at these celebrations. Her performances combine old and new, honoring traditional songs while adding a contemporary feel that resonates with younger audiences.

“In Rwanda, music isn’t just entertainment; it’s the heartbeat of our celebrations,” Diane explains. “Weddings are among the most important events in a person’s life here, and the music that accompanies these ceremonies reflects both the joy of the moment and the seriousness of the commitment.

Traditional songs such as Umugoroba or Indirimbo z’ubukwe (wedding songs) carry deep meaning, speaking of hope, unity, and ancestral blessings.”

These songs often feature a call-and-response style, serenading the couple with messages symbolizing their new journey. Some are centuries old, passed down through oral tradition. They convey wisdom from one generation to the next. Diane highlights how these songs, like Indirimbo z’ubukwe, contain messages relevant not only to the couple but to the wider community.

“They celebrate the coming together of two families and carry the knowledge and blessings of our ancestors,” she says. “They remind us of our values—respect, loyalty, and the importance of community. This is how we share these values with the younger generation.”

One particularly moving song is Ijambo ry’umugeni, sung during the bride’s procession. Its lyrics often describe the bride leaving her family to begin a new life. It’s a moment of mixed emotions: the joy of union and the bittersweetness of parting.

Diane notes the profound emotional impact her performances of these songs have. “When I sing Ijambo ry’umugeni, I see the emotional effect on everyone. The bride’s family often gets teary-eyed, feeling nostalgia but also hope for the future. It’s a moment where everyone feels connected not just to the bride and groom, but to the history of their families and their people.”

Bridging generations and sustaining tradition

While traditional Rwandan music remains central to cultural celebrations, its presentation has evolved. Despite concerns that modern music might overshadow traditional forms, Diane sees an opportunity to connect generations by blending traditional rhythms with contemporary influences, making these songs accessible to all.

“The younger generation is drawn to modern music, especially with global influences,” Diane acknowledges. “But I also see a growing interest in our traditional music, particularly when we mix it with contemporary sounds. It’s about keeping these songs relevant today while preserving their essence.”

For instance, at a recent wedding, Diane combined traditional Intore drumming rhythms with modern instruments like the keyboard and electric guitar, engaging both older and younger guests.

“Young people may not always be familiar with the older songs, but when you present them in a way that speaks to their current tastes, they become engaged, and that’s how we keep this tradition alive,” Diane noted.

Diane’s musical journey began in childhood, surrounded by the sounds of Intore drummers and singers. She decided to pursue music professionally in her teenage years.

“I always loved singing, and I grew up surrounded by musicians. It wasn’t until I joined a local choir at 16 that I realized my deep connection to this music. It wasn’t just about the singing—it was about telling stories, about sharing the values and experiences of our people,” she explains.

Her decision was driven by music’s powerful impact on her own life. “When I perform, it’s not just about the notes or the lyrics; it’s about feeling the music deep down. It’s about being part of something larger than yourself. I want people to feel that, especially at weddings and celebrations.”

As our conversation concluded, Diane expressed optimism about the future of traditional Rwandan music. “The future is bright for traditional music in Rwanda,” she says with conviction. “More young people are beginning to appreciate the depth of our culture. They may not always understand the language of the old songs, but they understand the feeling. Our music is part of our identity, and as long as we continue to celebrate it and share it, it will always be a part of us.”

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